Hello, good evening. You might be real surprised that why I'm here doing
another Klassic Note Review (still of this year's songs) instead of focusing
on preparation of the Song Awards which I hear is the buzz
of the town in this blog *giggles*, but wait, this is as
important as that even though I'm pretty sure these three singles will not be
talked about a single bit for the Awards later this week.
I'm sorry YUKI-san but this is definitely to compensate for the decade
of listening to your songs, I promise you. Let's talk about what I missed,
shall we?
THE ORIGIN
It all started when I decided to listen to some YUKI-san songs a month ago
after listening to her in a rock festival live performance. Yes, she sang pop
songs but this is typical of rock festivals now they just put idol groups in
them anyways (haha), but it was defnitely a song I have not heard before. And
as I recall, I did listen to a best album from her, but with her experience in
the music industry with dozens of songs under her name, it is not then
surprising that the best album I listened back in 2018 to did not contain all
of her classics. And thus, I embarked on the journey to listen to some of
them, including finding out that songs I listened before did have separate,
and - you didn't see this wrongly - single-track CD releases because this
isn't the digital age and the CDs are still sold in Japan even today. Yes,
even up to 10 years ago, which we will be talking about today.
Dude, this will also be the HARDEST I will go to understanding lyrics because
damn, is YUKI-san quite a... how should I say, inspirational lyricist herself.
*giggles* You will get it when I show you what's up in a bit. All the years of
translating lyrics has built me up for this lmao
音楽 The Klassic Note Review
YUKI - Nagai Yume [Single]
[The title has definitely nothing to do with this image, so don't ask me why
YUKI-san is like this]
Origin: It all started from a live performance, so let me talk a bit of what I
felt when I saw that. Think of this as like a deja vu experience every time I
have to encounter YUKI outside of Anime; She just wears some flashy outfit
like she does decades ago, walks into stage and starts vibing. This is what I
felt when I had to give this song and this single. Though this song came back
in the year of 2005, it still is very relevant in terms of style and
presentation, and we shall talk about that in detail.
(1) Nagai Yume [Long Dream]
From first chorus:
"Bye bye long dream, (though) how do (I) go over there?(I) will get lost, guide you alongBye bye long dream, someday (it) comes full circleTeach me the next move (up your sleeve)"
As the lyrics will explain to you without much sense because YUKI's lyrics
writing is basically that, it's just a description of random stuff in a dream.
Does it make sense or not? It doesn't matter. But how you can vibe to it is
more important than I realized as I heard of this for the first time. The pop
beats hit every cell in your body, and I think that is all that matters. The
music video definitely presented it in a different light with the animation,
but heck, it's up to the imagination at this point. It's a dream, remember?
The ongoing beats are long though which is its likely downside, maybe the
sometimes off-note singing, but I dreamt longer than this, so I won't blame
her for this, to be honest.
Rating: Decently Average
Conclusion: I'm sure to recommend this song, but if you are here to support
her even after all these years, then yes, you can still pick this up. It's a
symbol, I would argue, more than just a dream, to still obtain and listen to
one of these at this time and age, but what am I to say? It's just that good.
Next up!
音楽 The Klassic Note Review
YUKI - Sukitte Nan Darou… Namida / Tonari no Metro [Single]
[Crying humans? Philanthropists (or women) be like]
Origin: Ah yes, this single from when I heard it in the best album back in
2018. Just like when I reviewed best albums, I normally just give the first
A-side to this double A-side just because and we will talk about it detail
later, so I did not care too much to trace which single it was from besides
finding the music video, perhaps. But years later in, just as I had a
resurgence to listen to her older songs, I decided to give this single a
chance and listened to the other song in this release, and I am pleased. How
pleased? Maybe I should tell you more.
(1) Sukitte Nan Darou... Namida [What is love... (Sheds a tear)]
From first verse:
"In bad times, (one's) experience goes up(Experience) the bitter love"The important things, those aren't (that important)"We will live on, that's why (we) are happy"
Wow am I so glad I get to talk about this very song. Despite having a rather
beat-like melody it is soft, despite having motivating lyrics it is actually
about female expression, and despite sounding like a pop song, its parts are
actually more varied than the usual format. This is how the song got me among
the many other songs she had on her best album back then, and boy does it
still leave a lingering taste even after all these years. The music video too,
and if that isn't a greater hint of what the song represents, then the lyrics
written by YUKI herself might help. Female power, dude, it is emotive as it is
great.
Rating: Feministic Above Average
(2) Tonari no Metro
From first verse:
"Stuffing a magnificent doodle into my backpack, riding the metro,Assisted by sentimentality, gazing at that sky dyed in blue.Yearning for a modern girl, her scarf fluttered."
Being a commercial song for Tokyo's metro that many years ago probably made
this a better case than it should be, but behold, this is a relaxing song and
more catchy then I would have ever expected. If I did ever listen to this I
wonder why did I not give it, but now, it served as a journey of relaxation
with its chill melody and positive lyrics as it should be, and did I hesitate
to even dislike this. How can I, when it's about trains that I have taken a
fancy to, not like the acoustics that made this song so palatable? For this, I
will only say good things about it.
Rating: Cruising Average
Conclusion: This single has the overall package of what you would expect from
music artist YUKI, acoustic emotional songs she sings from time to time, and
her overall image represented in slow to moderate pop beats. I think this is a
rather good example of what she sounds like, even if this single is from 2015
and I listened to them all about 5 years since I started to know of it.
Whether it represents something further than her artistic inspiration, I'll
leave it to you to figure it out.
- Aozaki Shouhei, on the Klassic Note
OMAKE!! So I don't have to time travel to do this in another post lol I have
to write another intro though- And that's why I don't want to review
single-track releases? It doesn't fit in the format haha
音楽 The Klassic Note Review
YUKI - Daredemo Lonely [Single]
[Why be lonely when you have music and a flower dress? Real cool though]
Origin: This song and single, in comparison to her usual catalogue of songs,
might feel normal to be frank at least it is to me, but damn this song is
such a good one, it's hard to miss. Pretty much everything, and I really
mean everything is so normal, the only weird thing is how can I can like it
so much. As with vibe master YUKI here, it is no surprise they are making
sure this song hits as much as it can at the time when this went popular,
and boy did it leave an impression on me years later even when I heard it on
the best album. Let's talk about what drew this song to me.
(1) Daredemo Lonely [Anyone (Can Get) Lonely]
From intro:
"Laughing while enjoying (oneself), anyone (can get) lonely; Yearning for love(?), sorryThe starts are waiting, waiting, waiting"
Alright, the music video I think is the best representation of what this
song is, even long after I have heard of the song and added it to my music
library. It's the dancing, if you didn't get what I mean. The lyrics also
kind of explain why, that everything about love and people around and
dancing it away, people can get lonely. As I said, this isn't your usual
YUKI song mainly because it's not abnormal: This is a solid tune to dance
to, the lyrics also echo in your mind so much you would think this is the
remix instead of the remixes in this single... I am already dancing to
this as I'm writing this, no joke.
Rating: Full of Vibes Above Average
Conclusion: What else is there to say? Maybe the two remixes in this single
will convince you to buy this release. If not, then just vibing to this song
alone is more than enough fuel to get anyone going in the morning, I would
argue. If you thought being lonely can't sound this good, you can take it to
YUKI to making this as great of a wake up call as she can make it.
- Aozaki Shouhei, on the Klassic Note
This is definitely a new level of awkward in terms of review format and
writing but also because I didn't notice 5 years ago that one of these can be
reviews so *shrugs*
MOVING ON!!!
THE PACKAGE
What a combination, really. *laughs* |
These singles are simple in design, not much flair, and yes, it is rather the
cover art featuring the artist herself that might stand out once in a while.
Or that drawing of a woman which I assume is also her. *laughs* Anyhow, I'm
not aiming for anything else, this is just for keepsakes, so I'll take these
as it is. I don't think the application forms will work after this long so
(lol)
The bottom one just had white as the back of their inlet booklet, so I flipped it around lol |
Oh this was sold in conjunction of an upcoming album at that time. Maybe I listen to that next. |
This shall be all- ALL HAIL FRIDAY NIGHT~!!! *dances* You know what that is if
you play (or watch people play) the Yakuza (Like a Dragon) video games.
*giggles* But this week is far from over for me, and as unintentionally
planned thanks to the arrival of the recent package, we will continue the
not-so-normal weekend by doing the final (for this season, relax) Fanfiction
for the year, followed by the Klassic Note Song Awards results! If you would
excuse me I will continue to prepare for them, so see you then. *wink*
P.S. And that's why I think like, artists like YUKI and Cocco among many other
ones, are the kind that are truly free in making music. You know, they are the
free spirits who sing and/or write songs/lyrics because it's in their mind,
not to write popular songs to make money. Though the latter could be said the
same on them, but through the songs I can feel, that it's also more of the
former, and that's fascinating enough for me. *thumbs up*