The Entertainment News 2015 Edition Week #8

Hey everyone, and welcome back. I doubt anyone is, but I am. And that’s good enough for me.

Recently things have been great. At least the holiday. And it gets better, I guess. Well not like you need to know, I’m afraid. (Wow I’m so kind nowadays)

アニメ
ANIME

KimiUso: Nice performance, and Kousei almost got killed for playing with someone else’s sister (haha pun not intended), but on the other hand, we may see a final performance, seeing that there are only a couple more episodes before the ending (the Twitter account says four more) we may see a revival performance from Kaori-chan before she… haiz why did I even bother to even know the spoilers…
Class of Assassination & Discrimination: Well this episode the principal of the school has an opinion about the class, so he made it so that Class 3-E will ALWAYS stay as that class, no matter what it takes. Funny Koro-sensei doesn’t cheat by finding out what really happened before the exams with his abilities, but that also shows that much passion as his promise of being a teacher, especially integrity being the considering factor. Oh well, not like we’ll see their end of year exams anyway, because probably they’ll all get killed. Or will they?
Koufuku Graffiti: I’m liking this show more and more, despite the reviews asking for a little more of the cooking instead of the story-telling. (that kind of show is next season anyway, probably to not clash with this show, yes?) This week it’s Kirin’s turn to cook a dish for Ryou, under the supervision of Tsuyuko-san, the maid who looks like Shiina-san and is voiced by the same girl woman lady who is in Seitokai Yakuindomo (that teacher who loves young boys) and appeared in both Servant x Service live events making a joke of herself. (using “lady” is already being kind) Despite her own image, she holds this role pretty well considering her sense of comedy in other shows. The maid who is also a great cook (with chefs under her hood) teaches Ryou how to enjoy the happiness of being served food.

Really, this show is earning a thumbs up from me already; Somehow the show in a long time that I would watch immediately I got to watch it.

…

Yes. That says a lot about the other two shows.

 

漫画
MANGA

BLEACH: Interesting development down there, as Ukitake finally explains his lung problems as a possession of a god within, and is sending it out (possible sacrificing himself) as the right hand man to save the Soul King I suppose? On the other hand, Kyoraku senses Aizen within the darkness enveloping the world, and somehow this is going to make things happen.

“Even if he’s only going to play a minor role in this final arc – which is what I’d prefer – seeing him return is only a positive in my opinion. Unless this was all according to his plan all along…” Samu, Random Curiosity

I really am wondering that already.
Kuroshitsuji: The tank has been taken care of by the best butler in the house, and some Grim Reapers have come to clean up the mess caused by the formidable duo. Yes, you’re going to hear this. The Reapers are German. I don’t know how they are going to translate this even further, but I suppose we have seen an extension of the Grim Reaper franchise. We shall see, we shall see…

音楽
This Week on Klassic Note

Well there have been a couple of things happen, despite the holiday season here. It’s not, in Japan at the least. By the middle of the week, I’ve given another song from sphere’s best album, which makes it eligible for purchase, and have already done it along with 7!! and moumoon’s singles. Goose house has been in a live on YouTube recently (now then I know there’s such a thing called YouTube Space) also to celebrate their 1 million subscribers record and promote their two albums next week, have given a listen to another new song. Wow giving a couple of new songs a listen, I guess I may have to give more than usual. Yeah.

Probably about time I give this song already, ever since I heard it from an Anime trailer. Goose house is live now. https://t.co/V4uQSMvZRd

— Kaineng (@KlassicNote) February 20, 2015

(Answer: The song mentioned above is “Sing”, means I’ll possibly give “Sing 2015” in their new album “Bitter”.)
I’ve also given another song from FLOWER FLOWER because I miss YUI’s voice, and sphere’s new single, which surprisingly isn’t out yet so I cannot make sure whether I can give the single or not. Anyways, I’ll be patient and wait, as the following weeks will be interesting for more releases are due next month. Hell yeah, finally it’s kicking off. On the other hand, Kana-chan’s movie trailer shows premise, and I think I can give the new single. But I shall see about it. So much Kana-chan, I may have to buy the release after the movie airs to enjoy it fully…

 

 

I guess that’s all then, for this week. I’m running out of things to say, because I’m getting lazy. Things are appearing to push me on (mostly negative with respect to my mood now), but then I have gotten things done, despite being slow. APoL Chapter 14 is already out, if you came earlier before this post, and I’m already doing up on Chapter 15. With recent movie and show views over the holidays I guess I may have to stop killing people. *laughs* Oh well, cya guys then. Meanwhile I’ll think about that and until then… take care. Like me I have to take care of my physique. Yeah. Physical Fitness Tests. *sigh*

[P.S.: Yeah a lot of new homescreen images!

I guess it’s the holidays, so… I’m afraid I’ll run out of things for next week. Mikakoshi’s photobook doesn’t come until two weeks later, isn’t it?]

[P.P.S.: It’s pathetic. Only three people delivered their birthday greetings to me on my day online. I cannot blame them, they are celebrating the bigger event that is Chinese New Year. *sob*]

The Release: APoL Chapter 13v2 & 14

I’ve decided to do something. Yes. The moment that (only I’m) you’ve been waiting for.

APoL Chapter 13 v2
APoL Chapter 14

Here is the conclusion to Sora’s tragic suicide attempt. Oops. Trying very hard not to give spoilers.
Happy Chinese New Year, everyone. Hope you (may) enjoy your read. And Happy Birthday to me, too. Got a new cover for my Nexus 5, and it’s… *cut off to avoid prolonged chatting*

The Dream Fragment #6

From taking the weirdest alternate floor lift with my mother to seeing people fill in a form and reading off my credit card number (which I will not say it here), I do really have vivid dreams when I sleep recently, huh.

Weird. I can understand that I recently used my card, but the lift thing? Arch my head hurts...

The Entertainment News 2015 Edition Week #7

Hey guys, and welcome back. And if you’re not bored yet, I am. Haha, just joking. Anyways there isn’t much progress here in my life, but that doesn’t mean we don’t watch shows and listen to new songs. Okay, maybe not listen to songs too for me. *sigh*

アニメ
ANIME

KimiUso: Wow. Interesting turn of development aside, we see another performance (possibly the last this season) between Kousei and his newfound student. Being the teacher, despite his nervousness, brings his student along for the final act. Which is seen live by Kaori-chan? On her hospital ward? Eh… I may not see any form of jealousness here, but something tells me things are going to go haywire once their performance is over. And it may not be anything but. I don’t know. I don’t read spoilers.
3-E Class: Not much of assassination is happening on the class, but more focus on discrimination of the class by the rest of the school as they come for their monthly assembly in the hall. Seeing that they are also enjoying their part of the world thanks to potential assassins and probably the best teacher on eight legs, it poses some thought on the higher end students, and also, the principal. I wonder if Aizen will step in to change this… (lol of course not, just the same guy behind the voice)
Koufuku Graffiti: There’s still food porn, but there’s also fanservice. Self-mistaken to see a hot spring scene, the couple ended up on the bathtub, doing some real slice of life thought (like they won’t go in together again) and action (the process of Ryou getting the ice cream). Unfortunately they still remember the audience, so too bad, this is as much as we would get. Must… get…Blu-Ray… version…

Yeah she’s referring to you, you pervs. And that includes me. *OMG*

漫画
MANGA

BLEACH: Now everyone knows (even Yuzu and Karin in the real world) that the worlds are about to collapse.

…

OK KUBO NOW WHAT??
Amari Mawari: Really you should lock your door AS SOON AS you enter your house. You wouldn't want a little girl to come to your house and be mistaken as a paedophile by her guardian. I'm just saying.

SHOWS
MythBusters: Last episode for the season, the guys test on myths about the difficulty of drifting in real life. Well, with a professional things would be easy, but seeing that the pro also follows certain styles of execution, speeding using drifting definitely is not the way to go in real life. Really, even I don’t drift in racing games.
Looney Tunes, Tom & Jerry: Yeah, been reminiscing about cartoon recently, and found an updated version over the Net, and more recently the Tom & Jerry ones, and as I see one of them commenting over YouTube, it seems that “people who watch old cartoon grow up to be gentlemen”, and the youth now… I don’t want to talk about it. *laughs*

音楽
This Week on Klassic Note

I know. I do not have the mood to listen to new songs nowadays.

Klassic Note fact: When I'm not in the mood to give songs is when everything sounds great. Especially with an influx of J-Pop and no J-Rock.
— Kaineng (@KlassicNote) February 14, 2015

But they’ve been showing promise. sphere’s best album is just two songs away from the order which I will be able to give over the next few days at least. Seven oops (7!!) new single crediting to the KimiUso ending is actually pretty awesome, and will be the first 5-star song for the year. If I give the B-side this may also be on my shelf too. I may also give another song from FLOWER FLOWER’s new list of songs from a movie, and I’ve given up giving songs from Sora no Method’s character song album half written by fhana’s composers. But I still see promise in giving to next week songs on release, with Coalamode’s first major single under KimiUso’s opening song. Probably if I can give the B-side… I shall see about it. Honestly, I desire some VELTPUNCH. Or QUATTRO. Or Ajikan (in a month’s time). Or nano.RIPE (two month’s time). Something. *sigh*


I guess that’s it. I’m still stuck in doing up “someone’s last will and testament” so I can push two more chapters of APoL, so don’t expect much for now already. As the festive season is happen on this side of the world, and me not getting a Valentine’s, I guess I shall sit back and relax for now, and also keep my guard for a phone call every day on 10am. (Haiz, haha) Anyways, enjoy yourselves people (totally motivated by the bath scene), and I shall see you guys back here again. On the fourth day of Chinese New Year.

Great. Back to work. *sigh* *lands on new double-layer mattress*

[P.S.: Plenty of Kayanon this week as I intend to clear the job of changing wallpapers on my phone everyday… Sadly the streak is not ending anytime soon. The last picture tells you I’ve got more.

あきちゃんったら～]

The Dream Record #6

I ended my dream because I don't want to forget the rest of it. Let's begin.

I don't remember exactly what the quotes are, but I'm in an exceptionally inspirational action game. Think Journey, and you'll get what I mean. However this one is more first person mode, I guess.

I start out in a shade of pure white, more like in a large, white room. I was holding a tall candle stick, like those you see in... I don't know. I walk carefully along the soft ground (not like cotton soft, but more carpet soft) and see a dimly lit room, supposedly from the natural light illuminating from the only light source on the other end of the room.

(OK there was a first scene I somehow forgot because I suck in memory, and I cannot draw. So let's move on first lest I forget more.)

With a candle stick magically lit in a dim shade of white. I move hastily ahead of me along a long corridor, seeing along the way similar candle sticks, leading up on a slope to and end with a small window of soft, bright sunlight. As I light up the candle sticks, there is also seemingly game narration that I don't think I can recall. Just think artistic and sophisticated speeches, OK? Moving on.

And as I walk on, somehow with the lighting of candle sticks it attracted a while bunch more of them coming from the previous room chasing after me. As the narration suggested me to move on to "send the light over", I quickly lit the last of the candle sticks and sent mine over the tall fence by throwing it. The candle sticks then faded away (yes faded, not went away) into the background as I figure out what to do next. There is a gate next to me, suggesting going down might be the next way. The narration also suggested for me to "go down to the bottom of the beds". I touched the ledge below me as I enter the gate. Its hard, but as I pressed on it it went soft. Seeing that it is clearly similar to cornstarch, also the layers below, I hesitate to proceed down.

"Go on, go ahead and reach down to the beds."

The narration hinted me to move on. I took a step out, holding my the fence. The floor is pretty hard, despite it behaving this way. As I slowly sink in, I took another step in another piece, leaving my hand off the fence.

As I sink down (there is a gap between the large pieces of material) I see deep rows of beds and material (the cornstarch like stuff) (still all in white) out into the bottom. I stick my hand into the material, hoping to use it as a way to break my fall. On the bottom was a stack of neatly folded beds. As soon as I landed on it, everything came crushing in. I struggled to move around, but to no avail. I see as the beds start crushing down around me...

I guess that's it, really. And this is only about 40% of the contents, and before this another dream like this. If only I could try remembering more of it... I could release a new game. *laughs*

Anyways, that's all. And good morning.

After all, it's not about learning the life lesson. It's learning it the way you want.

Probably that means I'll take my driving test a decade and a half from now. Or not. We shall see.

Come on, I always get injured for the wrong people, whether it is physically or emotionally.

Well, maybe its just me. Or maybe, its everyone else. Ah, the latter doesn't count.

The Dream Fragment #5

Well, this time round it happens to my phone. My cousin (and I know which one) happens to be looking at my phone, admiring the (if you do not know the brand then... I'm not repeating it here) phone itself. And suddenly he tore off the case that was holding it due to it looking worn off (cheap casing, you know) and made it so the back is gone. I told him to pay for it and he feigned ignorance. Adding on and telling him whoever did not pay for breaking people's stuff and it came to a pause. And I woke up.

I know. I did spoil people's things when I was young. And never bothered to compensate them. I'm such a jerk.

I'm done. Cya guys for more dreams sometime.

The Entertainment News 2015 Edition Week #6

Hey… I’m tired. So let’s be quick about it. Today has been a hectic day. Yeah, probably one of the few days I’m out of the house on a weekend, too.

アニメ
ANIME

KimiUso: Trying not to refer to the manga (which I still did), we know a little more about that little girl who somewhat is pissed that a genius is teaching her piano. Besides that, we see an obvious turn in events where Kaori-chan will probably be meeting her end anytime soon. No spoilers involved, but it seems like (from people I know, on Facebook) that she will depart, eventually. Maybe not even leaving a message. Oh well. We shall continue watching then. I stay to the Anime until it ends first anyway.
Koro-sensei Classroom: Another episode featuring another assassin dispatched to teach in the class, but this time is use of charm on Koro-sensei which, somewhat works, but makes me wonder why she didn’t resort to using those weapons that work on him instead. Besides that, we see plenty of sick humour, and a significant change in Bitch-sensei in terms of blending into the surroundings as an assassin. More to come, I guess.
Koufuku Graffiti: Somehow I like this show now not because of the food-gasms and food orgy in the show, but more of the deepened meaning the show is trying to express actively. Not being able to go anywhere for fun, the three girls think of how to spend their summer holidays as prep students. Surprisingly they got invited by Shiina to her house which reminds me of Aria (from Seitokai Yakuindomo) who features a maid that sounds so like that sick teacher (also reminded from the same show), done with some imperfections to create a comedic effect. Probably the third time I watch a show talking about nagashi-soumen (including Nichijou and Kawaisou), but it’s still a joy especially watching the way they eat. Things don’t get bored in this show as we continue to soak in the happiness that is Koufuku Graffiti.

漫画
MANGA

BLEACH: Can’t you all see the Quincy leader is the founder of APoL too? Just joking. On a serious note, thanks to Ichigo, Soul Society is about to crumble. Can it even be salvaged already? I don’t know. Kubo, don’t go too overboard~

SHOWS
MythBusters: I thought this was featuring Transformers, that movie, but I was wrong. Just two myths that feature the transformation of vehicles are put to the test. Nice though, really shows the ingenuity of the guys and creativity in their building skills, once again showing that these guys are the best designers for this show. Well, I mean, there’s only two of them left…

音楽
This Week on Klassic Note

This week I review fhana’s new album, which is rather expectedly narrow in opinion as I barely try to give another song besides the topic song, if you guys haven’t watched it yet. It’s not easy, and I don’t want to give three stars by the end of the year, so I decided not to do it anyway. Also, I have given a listen to a new album (of English songs) from Murder by Death, if you would remember from 2011 whilst playing The Sims 3. Their root style music is still running strong in the album, and I’ve taken a couple of songs with nice melodies and great meaning in the lyrics. In other news, I also took a couple of songs from moumoon after watching their FULL MOON LIVE this month. Great actually, rather distracted by Tomacchan’s birthday broadcast though. Koro-sensei plushie is featured in the video too (How can I get my hands on that and the rabbit one from Servant x Service??? Man…), and they sung all the new songs and a couple ones I’m interested in listening to. Thus I will give two songs, one fanservice song “Chu Chu” from her single in 2011 and another from her album in 2010. Maybe I’ll give more, as I have pledged to give them another chance next month, provided they still sing the new songs, of course.

I guess I may have to start listening every month for more of their songs, huh. I probably will, moumoon-san. pic.twitter.com/KpN8SefWBl

— Kaineng (@KlassicNote) February 4, 2015

 

 

I guess that’s all, huh. Cya guys next week then, I’m rather tired by that stupid… event I probably cannot mention or the Army will get me. Until next time, please take care, as two more week are till Chinese New Year (for those Chinese out there) and also, my birthday. I am still thinking how to get myself to write an entry on my day, because I probably can. *laughs* Also, don’t bother asking for APoL; If I’m unhappy with my work you guys will have to wait. But this will probably be done before the holidays, I hope. Bye!

[P.S.: YESH MORE CLOSE UPS OF THE GIRLS I LIKE!

Not “love” because they’re not mine, and they’re images only. Probably both in the same reason, huh. Kayanon still has a few more weeks. And then probably Mikakoshi will take over. We shall see. *giggles*]

The Three “Musketeers” Of Song Production

“All for one, one for all”. Apparently those are the big three heroes who complement each other. Doesn’t say much when I’m referring this to Klassic Note, but I’ll get to it in a moment.

As you see, song production comprises of three main participants, if you flip through the jackets of all the CDs you (ever) bought (I know I own a lot) you will notice that they are the lyricist, the composer, and the arrangement. Now you may say that they may be just three different people involved in the production of the song, but bear in mind like any other big event, release production is actually a very large scale project, as I’m only going to talk about the song itself.

The question here is: Why do I talk about them? Why do I need to show differences in their roles when they supposedly complement each other? In reality, it doesn’t. There is no need to question intentions, neither is there a need to investigate the truth (because truth hurts), but I can give you a good idea of it, just by listening to the songs produced.

[NOTE: Bear in mind I’m only referring to the Japanese music industry, sometimes specifically on Anime music companies.]

THE LYRICIST
As a couple of artists have proven (recently from SCANDAL too), normally the song starts from its own words, which means it needs lyrics to sing to, and creates the general meaning of the song. This normally isn’t a big problem in Klassic Note because my proficiency of Japanese is… do I even have any proficiency? まあ良いか。Anyways, there are people who know how to write the words, and some who don’t. As we all know, lyrics in songs behave like poems and recitals, normally rhythmic in form. But then that is not always true. Pertaining to a certain topic, the lyrics may make a serious turn, causing the song to sound like as if it doesn’t have a topic. This is normally noticed with songs in Anime-centric songs, like their own theme songs or specific character songs, which just sound more entertaining in nature instead of pairing itself with the melody. Hey, the melody’s next!

THE COMPOSER
This is probably where things start to kick in. Lyrics may not mean much and can be generic in meaning and mood, but this place is where it makes everything sound unique. Words can be repeated, but if melodies repeat very often it is noticeable, even on to the extent that a song this year can sound like one I’ve heard years ago. A good example of this fault is own long term mainstream artists, less obvious in Anime groups though, like sphere. Artists like Ikimonogakari and Aqua Timez do have the tendency to write songs with similar melodies yet very different lyrics, and call it as another song, normally taken to credit of a recent production, like a movie, for example.

This in turn may make song creativity come to a halt, as with respect to reviews in Klassic Note that means lesser songs in my list. Often this isn’t an issue, as I can always search for other artists or new ones like indie artists in order to satisfy my own music desires. It takes a lot to get an experienced group to form a new style or evolve in styles, but then if it happens I will be able to “give chance” to them as well.

This is also evident for giving new artists a chance to create a portfolio in Klassic Note so that I can have subsequent impressions of the artists in due time. A good example is nano.RIPE from last year which its latest single is on my shelf after three months of “giving chance” and within that time I reviewed their latest album. Not so latest anymore once their new album comes in on April this year, but oh well. Another example in progress is moumoon, in which I’ve just joined a recent live stream performance yesterday, their new single with credit to Anime “Assassination Classroom” is going to be my first pre-order on my shelf this year, and I’m already giving their previous songs a chance, from a single and a mini-album, which is still under review.

Despite the discrepancies, composition is not an easy task, so I always “give chance”, as much as I can, so I can open myself to new melodies and possibly forgive them for their shortcomings. I’m very picky when it comes to new melodies, you know. It has been seven years already, you see…

THE ARRANGEMENT
This? This is the person who decides on everything else of the song. In which case “everything else” means everything besides the words and melody in the song. Yes, which means this person supervises on what instruments to use for recording (if not a mainstream artist, and even so there is a degree of control), how it sounds like before it even gets to our ears (which means what you hear is given the thumbs up by this producer) and many more details like background vocals and additional styles where necessary. Normally done by a music producer in various music label companies, singer-songwriters or bands themselves can also independently supervise their own production, as seen in many examples including YUI, QUATTRO (YouTube video as evidence online), miwa and more. Some depend on producers like Ikimonogakari and SCANDAL (less of it last year as they start writing their own songs) and others who generally do not write songs and/or lyrics (like Anime artists) of course will not expect to be deciding how it sounds like anyway.

The downside is not doing it yourself, but for someone else to decide how it sounds like on a record, especially if it is your song. This will probably explain why it sounds so vastly different in many cases where the live performance of a band or artist sounds unlike their studio release. In Klassic Note, I generally only consider studio versions of the songs (unlike my dad who likes to listen to lives) so if they aren’t good, especially when they’re done long ago, like in the case of Kuso Iinkai before their major debut last year, I won’t give them. They did well in COUNTDOWN JAPAN over the end of last year, but I didn’t give another song this year.

THE EXCEPTIONS
Of course, with many of these people comes many exceptions where, in Klassic Note, I take no attention to when I listen to the songs. Really, sometimes just listening to a song may already make me know about the general style of production, which will make me remember them when I hear a new song related to the artist, whether the lyrics or melody or arrangement is done by a specific person. General exceptions include regular artists (Ikimonogakari, Aqua Timez, Rie fu and so on) as I tend to give more chances to them within a release, and what I refer to as idol artists (Toyosaki Aki, Kotobuki Minako, Tomatsu Haruka and many more) where they are devoid of all judgement here unless I really think it’s so out of the court to be in my list. Specifically Aki-chan has a record-breaking set of releases on myself, definitely is me being more lenient in judgement as now I normally give the pre-order just listening to 90-second previews in favour of the special gifts that come with the purchase. Like in 2013 I pre-ordered her single “CHEEKY” and that probably is one of the most controversial releases I have under her name, as I question many times after listening to the full songs why I made the decision so haphazardly in the first place.

 

In conclusion, the judgement in Klassic Note is pretty strict in itself as I’m stuck on only a few styles of music, and things like bridges in song format and inappropriately arranged songs deter me from giving more songs, even if they don’t sound that bad. That is why every year I try to list down from time to time a list of songs that “did not make the cut”, because although they do not deserve the thumbs up from me, they deserve a mention. Come to think of it, I never showed them to you guys, isn’t it? Hmm…

So that is pretty much it. It’s long, but hope that addresses the many bias for my opinion in song reviews and why I’m still stuck in my circle of artists, even till now. See you guys soon then, and until next time… Twitter. The best place for me to post anything related to Klassic Note when I want to. Yeah.

- Kaineng, on the Klassic Note: The Three “Musketeers”
(They still work together though, though so much not all for one…)

The Entertainment News 2015 Edition Week #5

Hey guys, I’m back. Hope you are. Even if you’re not… I’ll still be here, nonetheless.

アニメ
ANIME

KimiUso: Despite the many happenings of Tsubaki, like her breakup with that senpai, and her really going to miss Kousei if he ever leaves the place, I guess the cliffhanger of Kaori-chan on the ground unable to move is headline news, isn’t it? I can see the focus of the author in terms of character development than storyline, but yeah, now that we know what is potentially going to happen, let’s hope Kaori-chan gets to recover. I don’t want to watch a show with a disabled violinist. Or even a dead one.
Koufuku Graffiti: This one came late this week (like today kind of late), but then it’s not short of food-gasms and emotional memories. Rather a lack of Shiina and Kirin-chan, Ryou-chan takes a journey back memory lane on her grandmother. More deterred of the erotic food scenes, I’m actually pretty impressed of the focus of happiness in this show. Which will make such a difference in many other cooking shows out there.
Ansatsu Kyoushitsu: None this week, a replay of last week’s episode. Don’t know why.

SHOWS
MythBusters: Video Games Special this week, and two of the most obvious myths are in test. It’s possible to carry a whole arsenal of weapons whilst fighting a zombie group (not a hoard of them, not even humans), provided you have the physique and strength of a wrestler. Not possible of course to beat your own high score in Fruit Ninja because they probably could do better if they built robots. Grant Imahara, anyone?

漫画
MANGA

BLEACH: Everyone’s gathered around despite people like Kenpachi seriously worried about Yachiru (even I’m worried of her as well this time round), and Ichigo managed to find the Soul King. And his son. Haha. Don’t ask me why. Just go read. Too many spoilers here already.

音楽
This Week on Klassic Note

This week on music is pretty damn good, as I see several reviews under my hood. Problem is I didn’t spend much time in reviewing and selecting more songs, so they’ll get more chances. Starting with miwa’s single is pretty damn good, not that I give B-side, but the new song will keep me entertained for the time being. Yeah, the maid outfit. Also on the list as I think I mentioned last week was Sakamoto Maaya’a new single, and despite the whole single sounding good, I only ended up giving the A-side anyways. I also gave chance to SECONDWALL’s 2nd mini-album (if you don’t remember them I took a demo song from them in 2012 when they are still in Audioleaf, which is in their first mini-album a year later), and took their topic song as a reminder to giving inspirational songs once every now and then. Despite the heavy rock style, of course. Last on the list is fumika’s long awaited 2nd album, and it sounds pretty good. So despite giving another song from a single from last year (which surprisingly I didn’t give due to the season mood back then) I intend to give a couple more. I shall see about that myself, I guess.

 

On other news… I’m in no mood for anything apparently. Not even APoL. I know. I’m really close to finishing those chapters already. Really. Just… haiz.

[P.S.: Yay the best segment of the week. As I mentioned to myself, some are in landscape (which I cannot fit on my phone) and too erotic for me to put them. Or else I’ll be ******* *** every time I see them. Just joking.

And yes, I don’t do that to any of them, especially Kayanon. Even if she has an outstanding chest. Really, no. More Kayanon next week.]